![]() For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. ![]() Originally issued in only one weight, the ATF version of Franklin Gothic was eventually expanded to include five additional weights, but no light or intermediate weights. In addition to the adjustment of spacing, there are also adjustments in the design. Designed in 1902 by Morris Fuller Benton for the American Type Founders company, Franklin Gothic still reigns as one of the most-widely used sans serif typefaces. The kerning tables, as well, have been individualized for each of these type varieties. The family suite of typefaces is large and adaptable and is as well-suited to web content and small screens, as it is to billboards and hard copy display. If Bruce Springsteen were a typeface, he would be ITC Franklin Gothic. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The ITC Franklin Gothic family embodies true American grit: it’s square-jawed and strong-armed, yet soft-spoken. That of the Bodytypes is adjusted for readability. The most obvious differentiation can be found in the spacing. likely influenced by early German sans-serif fonts. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). developed by Morris Fuller Benton for the American Type Founders in 1902. ![]() ![]() Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. ![]()
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